I was gonna call this my favorite rap record ever by a female emcee... couldn't honestly do that once Lyte thee MC's "10% Dis" popped into my head, but trust me, this joint here by Yo-Yo is right up there with the best of 'em in my book. The Sir Jinx / Del production is crazy. And I don't know if sister Yolanda was writing her own rhymes or not back then, but she was certainly saying them schitts very impressively. ALWAYS loved this record (I'm east coast fo' life but real schitt is real schitt, east coast or wessSIDE or where so ever it originates from). Posting this got me to thinking... hmm, what would my top ten female rapper records of all time be? After some long thought about this (possibly over thirty second's worth of straining my brain) I came to the conclusion that there might not even be ten records by female emcees that I really love. That's some shameful schitt! I'm probably just old and can't remember all those female rap jawns that I've rocked to death over the years. Yeah, that's the ticket. If y'all want to name some of your all time bestest rap jams by women, hit me in the comments. Or just download the free music and say nothing as usual (LOL just kidding... I appreciate all the regular commenters and even y'all nameless freeloaders as well).
Right now I know a lot of people are reminiscing about Thriller, Off The Wall, Bad, the moonwalk, the glove and the jacket with the zippers. But me, when I think of Michael Jackson the first thing that's always gonna come to my mind is that little guy with the afro and the brown skin and the African-American nose who could sing and dance better than anybody before he was old enough for junior high. That little guy who had to grow up way before he was ready to and disappeared way before he should have. The world has lost one of it's giants today.REST IN POWER.
If you're bored at work sitting at your computer with nothing to do, tired of playing solitaire and mah jongg, the first thing you need to do is thank the Lord that your azz hasn't yet been laid off. After that you may want to check out a spot that's one of my favorite time wasters, the Oddee.com site. Those who know me know that I have a thing for lists- well, this site has a schittload of the most interesting yet bizarre lists that you will ever see. Keeping it music related, I posted a few selections from Oddee's 15 Creepiest Album Covers (some of which were too creepy even for THAT REAL SCHITT). A few other favorites- 15 Extraordinary Sand Sculptures (that first one is amazingly the least impressive and yet also the most impressive at the same time), 20 Awesome 3-D Pavement Illusions and World's Most Flexible Women.Those are barely the tip of the iceberg, though... check 'em out when you have absolutely nothing better to do.
Mos Def - The Ecstatic - IMO this is the best Mos album since Black On Both Sides, maybe even better. Not perfect, but damn good. I hear a lot of folks saying they ain't feelin' Dante's singing, but I like it a lot when he does it like he does it on this album (as in just to accent the rhyming, not trying to be a real full-time this-is-my-day-job singer). Highlights: "Pistola" (love the nod to the Intruders), "Worker's Comp", "Supermagic", "Roses" (featuring Georgia Anne Muldrow), "Casa Bey", "History" (with Mos' Blackstar compadre Talib Kweli) and "Auditorium", which features a GREAT guest appearance by The Patch, better known as Slick Rick - check it out below.
Drew Nice - People Music II Enchanted Soul - this may be one of my all time favorite mixes, and I've heard a lot of good ones. Dr. York - New lp Laura Izibor - From My Heart To Yours (Primo Remix) Jay-Z - D.O.A. The Death Of Autotune Tomorrow's People - Open Soul lp The Sequins - various Little Milton - Driftin' Drifter - I need to get into some more of Little Milton's catalog, he's one of those dudes I always knew about but never really checked for. James Brown - Goodbye My Love / JB's - King Heroin (instrumental) - gotta love those Godfather slow jams Pirimas 3 - I Don't Know Jimmy Bo Horne - Get Happy The Bionic Woman - The Return Of Bigfoot Pt. 2 (soundtrack from the tv show) Jimmy Spicer - This Is It - one of my favorite purple label era Def Jam joints Snap aka Red Clay - Snappage Vol. 1 mixtape - for anybody who thinks I don't like any southern rap just because it's from down south... wrong. Snap is one of the nastiest emcees alive IMO... I don't know how many people are familiar with him, but if you're not you need to get familiar. This schitt is extremely dope to me. A lot of stuff off of my guy Matthew Africa's blog - stayed up til the sun came up one morning just listening to and downloading schitt... great music A lot of 60's-style soul that I can't mention yet because they'll be on my new mix (coming soon!).
Just got interviewed by the homie Jonathan Paycheck for his Good Records NYC blog, so be sure to head over there and check it out after you're done checking this out. Very nice blog and, from what i hear, very nice record shoppe (I have never actually been there because I don't think I've even been back to New York since the store opened, but I will definitely come through one of these days). So yes, this is a ringing endorsement from your man Soul- although I have never set foot in this fine establishment I encourage you to go to Good Records NYC with fat pockets, buy all the wall items and basically any other album that has a nice cover until your fat pockets are depleted and THEN run up an absurd amount on your credit cards as well. Because, as we all should know, records are the truth. Money (and good credit) may come and go, but the truth is forever.What up Jonny!
This is already all over everyplace and got the internets goin' nuts but I wanted to put it here on THAT REAL SCHITT too. Because I got somethin' to say on this. First of all- great track, Hov and No I.D. So sorely needed. What's funny to me, though, is seeing some people who have been down with the recent trends in today's so-called relevant rap world suddenly jumping ship. I hate hypocrites. Keep it 100, y'all li'l b**ches! You down with the stanky leg, ride that schitt to the end! If you were down with what my man Danny Dan The Beatman calls that "gay robot" schitt don't bail the f**k out now that Jay-Z has proclaimed that schitt dead and stinkin'! I could actually have some respect for that. Have some conviction, suckers. I hate hypocrites and I hate fair weather muthaf**kas just as much. Other than that, if you haven't heard "D.O.A." yet check the link down below and have a nice day.
Just when you thought I was retired from the break mix game (I thought I was retired too, who knew)... I started working on this mix almost exactly one year ago and finally finished it today while the wife was at the movies with the kids watching Up (they said it was good). The original idea was to do a joint with all kinds of weird records from a bunch of different genres and countries. Somehow, it ended up being all rock records. Or at least records that would probably be filed in the rock section at your friendly neighborhood record shoppe. That's all I'll say about it, other than this is probably one of my weirder mixes- definitely maintaining the basic Soulman style but with some strange deviations from my traditional format as well. I gotta admit this is one of my favorites- I'm rarely pleased with the finished product of anything I do, but I must say that I was very happy with the results this time. Peep it for yourself down below, and if you like it please feel free to share it with others, post it up on your blog or bootleg that schitt and sell it behind the counter at the corner bodega along with the apple blunts and loosies. It's free, do what you will with it. P.S. - sorry but I didn't do a tracklist for this and I honestly don't even remember what more than half of these songs are... I just grabbed whatever rock records were laying around at the time and played whatever sounded half decent. Dollar bin to ultra rare psych... it's all over the place.
A GREAT video, for those who have not already peeped this elsewhere. Jake One does it again. Sir Mixalot steals the show at the intro, doesn't he? Very nice (since the Seahawks will again be awful this season, this is something that Seattle can actually be proud of... LOLOL). What up Jake!
And the custom art joints keep comin'... check me out on the 'Bay, I'm 'bout to drop about 5 or 6 of my old vinyls for auction, CUSTOM COVERS included for all winning bidders. Getting geared up for that PMC lp on DWG, coming soon...
I often say that the internet is both great and terrible... well, here's one of those times when it is really, really great. Back in 1981, the ABC television program 20/20 ran what I guess was the first ever nationally televised news piece on rap music / Hip Hop (if someone knows of anything that predates this please let me know... this certainly was the earliest thing that I remember seeing). All I can say is that this was a BIG deal when it originally aired. We see and hear rappers everywhere today- tv, radio, movies, magazines, internet, you name it. I wish I could get away from these muthaf***as nowadays! But back then it was all brand new and m.c. sightings were scarce. To this day I vividly remember watching this show and losing my mind over it all. To see the Furious 5 and the Funky 4 on channel 7? MAN. You can't even imagine how huge that was to a b-boyin'-ass kid like me at the time. Anyway, big ups to Rap Radar and whoever unearthed this joint (EMZ? Dan Charnas?) for posting this up and letting me relive a nice little slice of my youth. AWESOME.
The Devastating Two with DJ Whiz Kid. Left to right: Imperial M.C. Rus Ace, Jayrock (A.K.A. Jollirock The Black Prince), Whiz Kid, Phantastic Philly Phill (A.K.A. Phill Most Chill)
A few people have been waiting for me to drop this one, so here it is... another one of those Phill Most Chill TRUE REAL SCHITT STORIES (I'll try to keep this one a lot shorter than the BARITONETIPLOVE one if I can)... Those who may know a little bit about my history may recall me talking about the stuff I did pre-"On Tempo Jack", In Effect Records, etc. Well, I did get started in the Hip Hop world prior to the Phill Most Chill 12" back in 1988. A good three years prior to that I was in a group called THE DEVASTATING TWO which consisted of me and my cousin who went by the name of Imperial MC Rus Ace. Deejaying for us was my homeboy Jollirock (who you may know about from his own random rap 12" "Don't Miss Me"- me and my cuz weren't feelin' his name at the time so we called him "Jayrock" for our project). Plus we had my man Scratchmaster Rob and Rus Ace's partner Treacherous Troy down with us as well. Anyway, me and Rus had been messin' around rhyming in his brother's room for awhile, then we just started taking it more seriously after people were telling us we sounded good on the mic. Wrote a bunch of rhymes and routines, did some serious practicing, then before you knew it we were opening a show for Captain Rock, DJ Whiz Kid and Hashim at this big azz skating rink. Now this was our first time performing in front of such a big crowd, but we were ready, jack! Set the show off with a little call and response thing over Hashim's record "Al Naafiysh", which was big at the time. Had the crowd in the palm of our hands! Then- disaster. Like I said, this was a really big skating rink, and I don't know what the hell the soundman did with the stage monitors, but suddenly we were hearing two beats- the music that the crowd heard sounded like it was echoing and was not at all aligned with what was coming out of the monitors! So we're saying our rhymes but it was aaalllll out of sync with the music (Rus heard the two beats and picked one- unfortunately it was the wrong one). The crowd starts letting us have it, booing and throwing ice and shit. At this point we stop the music and try to tell the crowd why the schitt is sounding all f**ked up, but they are not havin' it. So now we are literally ready to jump in the crowd and start hookin' off on fools! Finally they get the problem with the sound fixed and we start rhyming to LL Cool J's "I Need A Beat" and we are just beginning to kill it when somebody pulls the plug and the music goes totally out! End of show. To this day I think somebody sabotaged our novice azzes, but whatever. Regardless, it seemed that Hashim had heard enough to be impressed and offered us a contract with Cutting Records (which I didn't even know he co-owned). Now keep in mind back in 1985 Cutting Records was probably one of the most respected labels in the rap and electro markets at that time. So to just be starting out with this rap schitt, not knowing anybody in the biz and getting a contract after our first-ever show was a disaster? MAN. That was BIG for us. Kinda felt like this was destiny, ya know? So I guess a few weeks later we go to the Cutting Records office and meet Aldo Marin, Hashim's partner at Cutting (and I think we met Aldo's brother too... it's been a long time, my memory's sketchy), then we hit Aldo's apartment where they let me do work on a DMX drum machine to bang out the beats for this record we're gonna do for a new subsidiary label called NV. I wanted to keep the beats mad slow and funky, but those dudes were on that uptempo electro schitt, so we had to compromise and raise the BPMs a little. The next day we hit Unique Studios and recorded two songs, "We're Live" and "Runnin' Things", plus a bonus little throwaway beatbox track. That was a great experience, just being in that atmosphere for the first time and getting to see two studio pros like Aldo and Hashim work their magic. Cool schitt. When we got home and had a chance to listen to the unmixed recordings on the cassette we brought back with us, I wasn't too thrilled with it. Besides it not really sounding like the record I'd envisioned, it didn't even sound like a real record at all, just a cheap demo. THEN a few weeks later we got a tape the final mix in the mail.... truly an OMG moment. Not only had Hashim and Aldo done some straight up studio wizardry in the mix to make this schitt sound better, they got the great cut-and-paste legend Omar Santana to do the edits. And boy, did he do the edits! Now I'm no expert on all the cut-and-paste jobs that have been done in music history, but it's hard for me to believe that there's much out there that's better than what Omar did for our song. I was floored when I first heard this schitt and now, 23+ years later, my jaw is STILL on the ground. It's really amazing to me because I know what this music sounded like before he got his hands on it. All right, I see I've gotten long winded with this yarn despite my intentions to do no such thing, so let me try to wrap it up as briefly as possible. Right after all of this happened Hashim split with Aldo and Cutting Records. Around the same time Hashim signs us to his management company. We are naive and don't realize that this is going to cause a problem as far as us dealing with Aldo. Our record gets shelved due to the Hashim / Aldo conflict. So we are stuck in limbo, tied to a couple of worthless contracts. I continue recording demos solo and in 1988 I drop the "On Tempo Jack" 12". We'll stop it right there- that'll be another real schitt story for another day. I leave you with The Devastating Two unreleased joint "Running Things" and the "Running Things Dub Mix". Personally I felt we did pretty good for dudes who were really kinda green to the game, but even if this had been released I didn't feel we were f**kin' with new stuff that was coming out like Schoolly D's "PSK" or Marley Marl stuff like "The Bridge". The sound of rap was changing and I wasn't down with the electro stuff... I wanted THAT REAL SCHITT sound, man! It was cool, though. Oh, and BTW- all you people who like to click on the first audio clip and ignore the second one, DON'T DO IT THIS TIME. If you are at all into mid 80's cut and paste schitt you're gonna need this lost Omar Santana masterpiece in your life- killed it he did. Rus Ace, what up cousin!
Now that my tweeting career is in hiatus status (I'd say permanently, except for the fact that I never say never- unless it's to tell you that i never say never), I can get back to what I'm almost famous for- THAT REAL SCHITT. It's about time for some more Philly random rap up in this piece, so here's a little known gem courtesy of some cats that go by the name of 24-7. Early 90's schitt, kind of a proto-Roots flavor going on here. I can't even tell you any more about this record because I sold it on Ebay a few years ago- I scanned the labels but lost 'em when my external hard drive went on the fritz. So if anybody has any info on these cats let me know- this was a real nice record IMO. BTW, I don't know if 24-7 were actually from Richard Allen projects in Philly (they name check Richard Allen but also seem to be claiming West Oak Lane, which is a whole different neck of the North Philly hoods), but lemme tell ya... back in the days before it got imploded and replaced with pretty new houses, Richard Allen was one of the most feared landscapes in the city. Seriously. Home of the Ram Squad (another legendary local rap crew, known for giving studio engineers unaccustomed with dealing with real live street folks a bad case of the pissy pants), Richard Allen used to be one of those places that outsiders did NOT want to be anywhere near after dark... boy, some of the stories I have heard. My mom actually lived there way back in the days, around the time that one of the most famous Philadelphian's of them all, Bill Cosby, supposedly grew up there as well. Yet neither Mom or any of my uncles or my aunt ever recalled anybody named Bill Cosby living in Richard Allen- as my Uncle Wendall used to say, "We knew EVERYBODY in Richard Allen, I don't remember no Bill Cosby... unless he was some little punk who stayed in the house all the time." Yeah, my uncle was kinda gangsta... maybe Bill was a shook one, I dunno. Or maybe he was just always chillin' in the junkyard with Mushmouth and Rudy and them- I'm not gonna deny the Cos his street cred.
Well, ya can't say I don't try. Unfortunately, to paraphrase what I said in the comments section of my last post, I attempted to live in the present and found that it sucked dog d**k. So I'm going back home to the past, where I belong. See you soon with some more of my old schitt!
So on a day where you really haven't done anything more important than to take a crap, do you tweet about that? Well, that's what I tweeted about and here's the pic of me tweeting in the john right after flushing to prove it (I know, I know... I got about as much couth as that girl spitting out the sunroof through her missing tooth that Doom raps about). Anyway, my current fascination with the Twitter craze is not gonna last for long, I can see that already. I'll get back to posting up some old azz music in a minute.
Yes, I am now on Twitter- why, I have no idea. Actually I know exactly why- because everybody else who's anybody else is on Twitter and I am a brainwashed follower. Really, though, WTF is this Twitter schitt all about, anyway? WHY is it the thing to do right now? I got on it for about ten minutes and felt nothing except an incredible urge to go do something else. I guess that's the idea, though... go do something else- then tweet about it. Okay, but for real GTFOOHWTBS. Whatever... I'm on it so at least I know I'm cool. Anybody out there want to fill me in on why Twitter is the bomb diggy get at me in the comments or better yet just tweet me (pause) - http://twitter.com/PhillMostChill(I totally do not understand any of this schitt).
UPDATE: I added a Twitter widget or whatever you call it to this blog... you'll find it on the sidebar to the left at the very bottom. I honestly don't think it's gonna get used too much, but who knows... maybe I'll catch the Twitter bug at some point.
I was gonna call this my favorite rap record ever by a female emcee... couldn't honestly do that once Lyte thee MC's "10% Dis" popped into my head, but trust me, this joint here by Yo-Yo is right up there with the best of 'em in my book. The Sir Jinx / Del production is crazy. And I don't know if sister Yolanda was writing her own rhymes or not back then, but she was certainly saying them schitts very impressively. ALWAYS loved this record (I'm east coast fo' life but real schitt is real schitt, east coast or wessSIDE or where so ever it originates from).
Posts
